Horror Week 2016: “The Boogeyman” by Stephen King

While I'm not a huge horror or scary-movie fan, as in a fanatic, I did love watching the Nightmare in Elm Street series, American Werewolf in London, and a number of other movies back in the 80s and 90s. The scariest movie I've experienced was 1979's Alien. I watched that movie, ill-advisedly in hindsight, with my younger siblings back in 1985 in my basement bedroom. That night, after my siblings went upstairs to go to bed, I found myself alone in my room. I then realized what a stupid thing I had just done. Needless to say, I didn't sleep the whole night because of the sheer terror I experienced watching Alien. To this day I remember that night and how terrified I was and how impossible it was for me to sleep in the basement, alone, with the darkness in the room and just beyond my bedroom door. The slightest sound would jolt me from the bed so I ended up cowering in a corner of my room just praying for the sun to come up.

I haven't watched a proper horror movie in many, many years. As I've gotten older the genre just doesn't appeal to me anymore. The most recent "horror" movie I saw was Tucker & Dale vs Evil. It was just enough to remind me of the experiences I was missing out on -- watching horror movies -- but not too much to keep me awake at night. These days I need only to look at my bank account statements or bills, but I digress. Tucker & Dale vs Evil was a beautifully well-executed movie that is a perfect example of its genre, i.e., horror-comedy.

Horror Week 2016: “Children of the Kingdom” by T.E.D. Klein

T.E.D. Klein

T.E.D. Klein is one of the great could-have-beens. He wrote some of the best and most memorable horror stories of the seventies and early eighties. Derived from his first published story, “The Events at Poroth Farm”, he wrote the masterful, if lengthy, novel, The Ceremonies (1984). His 1985 novella, “Nadelman's God” won the 1986 World Fantasy Award for best novella. It, along with three other novellas, was published in the 1985 collection, Dark Gods. And then he started to fall silent.

According to his entry at the Internet Speculative Fiction Database, he only published a few more stories. Wikipedia credits him with co-writing the screenplay for Dario Argento's 1993 Trauma. A second collection of stories, Reassuring Tales, finally appeared in 2006 to little fanfare. Over the years, it was reported he was working on a second novel, but writer's block kept it from ever materializing. Despite considerable acclaim over the years from writers like S.T. Joshi and Thomas Monteleone, he's just faded away, someone known to horror connoisseurs but little beyond their circle.

Horror Week 2016: Exorcising the Shame and Guilt – How I Learned to Love Horror

Regular readers of the blog (if there is such a thing here at SUR) will know that I’m not a huge horror fan. It’s something I’ve actively avoided in my fiction for years. There are a few reasons for this. I’m generally not too keen on the esthetics of the genre. Slasher films as a whole and specific film series of the “torture porn” variety like Saw and Hostel where the examples of the genre that popped up in my head when I thought of horror. The biggest reason for my dismissal of the whole thing is that I came to it with preconceived notions of what any given book or movie would be when it’s labelled as horror. I watched those movies and attempted to read those books with the intent of finding those things I didn’t like as a way to prove that yes, indeed, horror as a genre is a piece of shit and it is best avoided.

I’ve reconciled with a lot of that thanks to Stephen King, particularly thanks to one of his most famous books Salem’s Lot. I mentioned some of that in my review of the book and there was certainly something cathartic bout the whole admission of guilt and wrongdoing towards the genre. It’s still occasionally difficult to admit that I was so dismissive. I dismissed it all, regardless of when or where a piece of horror fiction came from, it all ended up in the same space in my brain: the trash bin.

Short Story Sunday 18: Reading Neil Gaiman’s Trigger Warning, Part One

I’ve been a fan of Neil Gaiman’s writing since my early teens. Surprisingly, I discovered him through his novels and not his comic book work. I say it’s surprising since I fell into the world of American comics in just a couple years later. No matter, I’ve followed him across genres since I first finished American Gods and I’ll continue to read anything I come across that has his name on it. I’ve rarely been disappointed by this decision.

Sadly, as life takes it course you sometimes find yourself with a shortage of spare time. When that happens, things like picking up any new book by a favourite author don’t always happen as planned. It’s for that reason that I’m only reading Trigger Warning: Short Fictions and Disturbances now. I’ll be reviewing each story and poem here as a series of post for Short Story Sunday. This is the first one of these posts.

“Making a Chair” by Neil Gaiman

Read in Trigger Warning: Short Fictions and Disturbances (2015)

First appeared in print in Trigger Warning (2015), but previously appeared on the CD An Evening With Neil Gaiman and Amanda Palmer (2011)

Short Story Sunday 17: John Moore and Harry Turtledove

This is an exciting installment of Short Story Sunday. Well, maybe not for you, but it is for me. This marks the first collection that I’ve reviewed in its entirety (except for all of the non-fiction articles). I hope to review many more science fiction and fantasy stories and I hope you stick around and get inspired to read a few of your own.

For a long time I completely ignored short fiction, but in recent years it’s become an important part of my life. Due to an increasingly busier schedule and new responsibilities, I’ve got less time to read novels. I was sad about that at first (and I still kind of am) but I decided to view this as an opportunity to explore another part of literature I didn’t pay much attention to before. Like everything else, not all of the short stories I read are good. Some, even with their short length, aren’t even worth my time. Still, I’ve read plenty of good-to-great stories to remind me of how satisfying short fiction can be. Below are just a couple of good examples.

Short Story Sunday 16: “The Blabber” by Vernor Vinge

This is our first Short Story Sunday edition where I write about only a single story. I’ve tried to avoid that as I’d prefer to showcase more than a single author by post (special editions notwithstanding) and more than a single story. Variety is nice and so are posts that are longer than just two hundred words. This post is different because the story being reviewed is quite long. It’s a novella, really. Still, it’s science fiction, it’s short, and it’s really quite good.

“The Blabber” by Vernor Vinge

Read in New Destinies Volume VI/Winter 1988 (1988), edited by Jim Baen

Originally published in Threats … and Other Promises (1988), editor unknown (but might also be Jim Baen)

“The Blabber” is part of Vinge’s Zones of Thought series which include a trilogy of novels that begin with the award winning A Fire Upon the Deep. Not only is that an excellent title, but it’s said to be an excellent read. I wouldn’t know as my copy remains unread. I’ll get around to it one day and likely sooner now that I’ve read this novella which takes place just after the events of the first book.

Short Story Sunday 15: Catherynne M. Valente and Rick Cook

No introduction this post, we're heading straight into the reviews.

“How to Become a Mars Overlord” by Catherynne M. Valente

Read in Year’s Best SF 16 (2011), edited by David G. Hartwell and Kathryn Cramer

Originally published in Lightspeed issue 3 (2010), edited by John Joseph Adams.

“How to Become a Mars Overlord” is written as a seminar intended on providing guidance to people interested in conquering the prized planet, Mars. Valente is more interesting in recreating a sense of wonder and yearning for the red planet than she is in telling a story. All of her examples of Mars overlords are pastiche or echoes of pulp stories featuring the titular planet. If they’re not recognizable as a creation of another author, then they’re created by Valente with that same spirit in mind. The whole thing is very inventive and full of energy but it’s done in a style that doesn’t work for me.  

Short Story Sunday 14: Andy Duncan, Charles de Lint, and David G. Hartwell Tribute

This series originally began with a focus on science fiction short stories. I think it’s a genre that works really well with this particular form of writing and it’s given me the opportunity to read more short stories and more science fiction, two things I feel I don’t do often enough. However, Short Story Sunday is the home of all short stories and I’m pleased to say that we’re diving head first into the fantasy genre. I’ve reviewed some of Robert E. Howard’s original Conan the Barbarian stories here too, but that’s just not enough! Short Story Sunday needs more fantasy and can’t limit itself to muscular barbarians and squishy monsters. There is plenty of room for other fantasy stories such as those of politically minded Hobbits and Travelling Littles.

“Senator Bilbo” by Andy Duncan

Read in Year’s Best Fantasy 2 (2002), edited by David G. Hartwell and Kathryn Cramer (uncredited)

Originally published in Starlight 3 (2001), edited by Patrick Nielsen Hayden

This story is based on a simple idea. What if the infamous white supremacist senator Theodore G. Bilbo was a descendant of Bilbo Baggins? Well, we’d end up with a filibustering, speech spewing, and racist hobbit. There isn’t much more to this story than playing out that idea, but it’s very well done and quite enjoyable.  

Galapagos by Kurt Vonnegut Review

I’ve only read one Kurt Vonnegut book before this one, Slaughter-House Five, though I’ve stayed interested in his work ever since I’ve read that book. It’s probably been four or five years since I read my first Vonnegut but the man is a fascinating character in his own right (and no, I’m not making reference to Kilgore Trout but the reference is there if you want it). Several months ago I went to a bookstore with the intent of buying another Vonnegut book. This is my kind of writer and I owe it to myself to explore his oeuvre. I couldn’t pick out a single book and after arriving at a shortlist of three books, I asked my wife to pick. She singled out Galapagos and, here we are, a few months later with a review about humanity’s destruction and rebirth as a new species.

Simply put, Galapagos is an evolutionary journey recounted from the point of view of a million years in our future. There and then, the ghost of a man from the 20^th century is telling the story of the crisis which befell humanity in 1986 and how unusual circumstances made the Galapagos Islands the hotbed of evolution for a second time in the history of the world. It’s on one of its volcanic islands that the last survivors of humanity find themselves the originators of the next step in human evolution.

Naruto 3-in-1 11 (volume 31-32-33) Review

I owe a lot of thanks to the person at Viz Media who thought of collecting some of their popular, multi-volume manga into these delightful omnibus editions. It works so well for shonen manga and I’m sure that even non-shonen manga read well in this format. More manga for less money! What’s not to love? Well, if you’re talking about this particular 3-in-1 volume of Naruto, there is one thing. One character, to be exact, but I’m getting ahead of myself.

The opening volume to this omnibus, volume 30, includes the final few chapters of the Kazekage Rescue Mission arc. Sakura and Granny Chiyo are fighting Sasori, one of the Akatsuki’s members. With this fight, Masashi Kishimoto has given readers multiples examples of the kind of jutsu and attacks that puppet masters wield in battle. Seeing the experience of Granny Chiyo’s mastery of puppet jutsu used against the powerful and inventive puppet jutsu of her grandson, Sasori, is very enjoyable. Throwing Sakura in the mix and having her show off her surprisingly strong physical attacks simply adds to the enjoyment of this fight and this story arc. It’s also a good showcase of Sakura’s new abilities. This is the first time we see Sakura fight following her training with Tsunade and it’s impressive. I find that Sakura has been grossly underused in Part One and it’s nice to see her get some much deserved attention here. It’s very successful and make for a few great. She’s fearless compared to the younger Sakura we used to know. In this fight she proves to be strong, resourceful, and a commendable team player.