According to interviews, Paul Pope’s Battling Boy originated as Kamandi:
The Last Boy on Earth pitch for DC Comics. Pope has described what was
going to be his Kamandi as “a violent
adventure story for young readers with a boy lead character”. DC Comics passed
on the idea because apparently they do not publish comics for kids. They
publish comics for 45-year-olds. It’s a ludicrous idea and Paul Pope turned
around and reworked his pitch into Battling
Boy which ends up being a pretty strong argument against the idea that
comics for young readers are exclusively for kids. I tremendously enjoyed the
first volume of Battling Boy and I’m
glad that Pope, a creator of certain renown, used his influence to create
something that’s worthwhile and feels fresh in a medium that can regularly make
readers feel like they’ve eaten too much candy before bed.
There is so much to enjoy in Battling Boy, the story of a young boy god who is sent to a planet
that resembles a post-apocalyptic earth. Every god who reaches the age of third
teen is sent on a Rambling, a solitary quest that will help them grow from a
child to an adult. His quest is simple, he has to find a way to protect
Arcopolis and become the city’s hero. It’s a simply story, and one that’s been
told for ages, but it’s the unique influences that Pope brings to the story
that make it a worthwhile read.
The origin of Battling Boy. Kamandi is a great character created by Jack Kirby and starring in his own series in the 1970s. |
As always, Pope’s art is excellent. He draws brutish and
ugly monster while somehow given them a sense of whimsy that I’ve never noticed
in his art before. He seamlessly meshes together the fantastic elements of Boy’s
homework and the super-science elements of Aurora. I’ve never noticed such a
strong manga influence in Pope’s work before. It’s always been there on some
level (heck, just look at his weird yet wonderful euro-comic/manga mash up of
his art style). In Battling Boy, however,
the manga influence is also in the extended action sequences and the story.
What’s been labelled as a Young Adult comic by First Second is essentially a
North American shonen manga.
Despite being steeped in manga influence, you can clearly
see the influence of Silver Age comics in Battling
Boy. The artistic influence of Jack Kirby, the construct of the science
hero whose life mission is to protect the inhabitants of his city are also
present in this story. The first volume of Battling
Boy also focused on the daughter of the city’s superhero, Haggard West.
Aurora’s story is equally important to Battling
Boy as Boy’s story. They both have an initial character arc that begins and
ends in 200 pages. She witness and grieves the death of her father but she also
makes the first steps towards taking over his mantle. Boy, whose story arc is
different but follows a similar path, learns what is required of him to become
a true hero, like his father. Both characters have a legacy to uphold and are
determined to follow it through. I’ve barely finished reading the first volume
of Pope’s fantastic new series and already I cannot wait for the next installment.
Item likes Boy’s totem animal t-shirts are a power-ups
taken straight from video games and fighting manga. For Boy, though, they’re
not just for fighting. Pope gives it a more serious and interesting twist by
having Boy use them as totem animal consultants. When he discovers that he can’t
just punch himself out of his problems, Boy decides to talk to the cleverest
and the wisest of his totem animals. It’s a pivotal scene and it adds a great
amount of depth to the work. Battling Boy
is also similar to manga because of the lessons the characters learn. You also
know that in the second volume Aurora and Boy will become friends and Boy’s
greatest strength will be his resolve to never give up and his determination to
protect those that need protection.
Pope does an excellent job conveying the sense that
Battling Boy’s parents sent him on his Rambling to learn those very lessons.
Boy’s father is a monster killer not because he like sports or because he’s
doing I to show off. You feel as though he fights monsters to protect others.
When Battling Boy calls his dad for help during his first battle, one of the
things his dad asks about is whether or not Boy tried to reason with the monster,
Humbaba. In this world, monsters are not, by definition, evil beings. They’re
misguided and confused and angry. Their destructive behaviour is symptomatic of
their situation. In that same conversation Boy’s dad asks if the monster is
hungry. It would be such a simple reason for a monster to be angry. The mayor
of Arcopolis told Battling Boy that they do not know where the monsters come
from. They simply appear. Maybe the monsters are being taken from their homes
and dropped, unceremoniously, onto the city of Arcopolis. I’d be pretty upset
if that happened to me.
Pope’s story follows the well-established formula of a mythical coming of age tale. He does it with such bravado and energy that it still feels fresh. There’s also a lot of heart. Boy struggles with the difficulties of his task. It’s somewhat hard to believe that he’s the son of the famed monster slaying Thor-like god. It’s a Greek myth using gods of the Norse pantheon to tell a superhero and manga influence action and adventure story. What’s kept me interested in Paul Pope as a comic creator ever since I’ve read my first comic of his (Batman 100) is the multiple influences his brings to his craft Whether it’s the foodie culture or fashion or his attention to detail and practicality in his design or the comics-of-the-world influences in his art, there’s a smorgasbord of things to enjoy.
My only disappointment in the comic is the colouring.
Hilary Sycamore coloured Battling Boy
and although she does a pretty good job, the whole thing is too bright when it
needs to be darker and too dark and muddy when it needs to be brighter. I would
have preferred to see José Villarrubia on colouring duties. He’s done an
excellent job with previous works by Pope and his contribution would have
elevated Battling Boy to a whole new
level.
I enjoyed Battling
Boy like I enjoyed Bryan Lee O’Malley’s Scott
Pilgrim and Corey Lewis’s Sharknife.
It’s better than Sharknife and it’s
equally good to Scott Pilgrim though
both works have their different strengths. Despite the different influences,
the works all have pretty strong similarities while maintaining distinct authorial
voices and tone. It’s impressive that more than 20 years in the business, Pope
still manages to create comics that are emotionally resonant and entertaining. Battling Boy is a fun comic but it also
has depth. In some ways, his Young Adult comic is better than some of his more
adult oriented works. I easily could have read another 200 pages of this comic
and that’s a good thing because a second volume is on the way. It can’t get
here soon enough.
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