Written by
Edmond Wong
Starring Donnie
Yen, Simon Yam, Lynn Hung, Gordon Lam
Martial Arts
Choreography by Sammo Hung
Kung Fu movies are great but they're all very similar. Actually, that can be said of nearly every genre. Clichés and familiar patterns will always emerge and eventually they become part of what we expect to see when watching a movie of a particular genre. Kung Fu movies are often set in the 19th Century (if not earlier) and involve a power hungry lord as a villain. Alternatively, they’re set in the present day and involve some sort of crime lord as the villain. The hero defends the people against the villain and what makes the movie good or standout from the rest of Kung Fu films is the performance by the actors or anything additional to the Kung Fu formula. Additions often include humour, drama or romance but mostly, what fans of martial arts film really want to see is the action choreography.
Kung Fu movies are great but they're all very similar. Actually, that can be said of nearly every genre. Clichés and familiar patterns will always emerge and eventually they become part of what we expect to see when watching a movie of a particular genre. Kung Fu movies are often set in the 19th Century (if not earlier) and involve a power hungry lord as a villain. Alternatively, they’re set in the present day and involve some sort of crime lord as the villain. The hero defends the people against the villain and what makes the movie good or standout from the rest of Kung Fu films is the performance by the actors or anything additional to the Kung Fu formula. Additions often include humour, drama or romance but mostly, what fans of martial arts film really want to see is the action choreography.
While Jackie
Chan has made his career by combining death defying stunts, impressive fight
scenes and humour. They’ve become staples of the kind of movies Chan stars in.
When he did some of his more serious movies, such as Crime Story or Gorgeous,
they instantly stand out because they don’t use his regular bag of tricks. This
particular movie, Ip Man, starring
Donnie Yen, uses historical, specifically wartime, drama along with
biographical elements to add that something extra to the story.
The movie takes
place in and around the town of Foshan and focuses on the life of legendary
Wing Chun master, Yip Man (the movie’s title uses another known spelling, Ip
Man). Foshan is a town known and celebrate for its martial arts schools and in
this town, no master is better known or more respected that Ip Man. Despite
being the grandmaster of Foshan, Ip Man’s wealth allows him not to have to take
on any students. Instead, he recommends that people seek tutelage at one of the
many other schools. The movie, along
with Yen’s understated performance, informs the viewer that he does this out of
respect for the other masters. He doesn’t want to take away from there livelihoods.
Still, Ip Man is very busy and seldom has the time to relax with his family.
Yip Man. |
Once the movie
has setup the day to day reality of Foshan, including early action sequences in
which a ruffian comes to town determined to take on the master of martial arts
to show off his own skills in the hopes of opening a school, the wartime drama kicks
in. The Japanese invade China, it’s the Sino-Japanese War and the once
prosperous town of Foshan is under enemy rule. Ip Man and his family now live
in poverty and he’s force to take on employment at a coal mine. Not making enough money at the mine, Ip Man
agrees to fight Japanese martial artists to win rice. A Japanese general is a
martial arts enthusiast and knowing the reputation of Fosha, he offers a bag of
rice to any local who can beat one of his Japanese students in a fight. It’s a
very difficult time for the Chinese but through perseverance, national pride
and a duty to protect his family, Ip Man is able to maintain focus and survive
the war. The story can get pretty bleak, especially when Ip Man’s fame as a
martial arts master threatens to put his family in harm’s way.
It’s interesting
to see Ip Man’s progression from pre-war to wartime. Before the war he’s calm,
composed and there is hint of youthful glee in his eye when discussing Wing
Chun. Later, when fighting the Japanese martial artists he’s angered by the
cruelty they display towards his fellow countrymen. He reciprocates by challenging all of the general’s fighters
and the result is a brutal and somewhat frightening show of force from Ip who
so far has been characterized by his strong spirit, respectful nature and calm
demeanour. The fight is an excessive show of brutally after which many of the Japanese
men are undoubtedly crippled for life. From calm and relaxed to violent and
cruel, it’s jarring to see how the war has affected the grandmaster of Foshan.
But his transformation isn’t out of character. It was pretty clearly established
earlier in the film that one of the reasons he’s respected in town is because
he protects those that need his protection. He protected the integrity of the other
Kung Fu master when the ruffians came to town and now he’s protecting his
countrymen and his family against the Japanese general and his men.
Ip Man has more story than most Kung Fu movies. Fans of more typical martial
arts movies might actually find the story to be a bit slow despite early action
sequences, the focus is on Ip Man and how he had to change as a person in order
to survive the war. I think it’s interesting that for a movie based on a real
man (legendary Wing Chun master who helped to popularize the fighting style and
trained now-famous students such as movie start Bruce Lee) that the movie only
focuses on a small part of Ip Man’s life. The story begins shortly before the
war and ends with Ip Man escaping Foshan with his wife and child. Really, it’s
a drama film with some Kung Fu but the movie works well because it treats the
dramatic elements and the action elements with equal importance. It makes for a
solid film all around. There are also a couple side stories that help to round
out the story of Foshan and its residents. The real highlight of the movie
though is Donnie Yen, as an actor and as a martial artist. His understated performance
early on and his surprising brutality later on perfectly demonstrate the
internal and external struggles of the man. You’d be hard pressed to find a
Kung Fu movie that so effectively juggles as much as Ip Man does. It’s a modern classic of the genre.
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