I wonder if there was a huge debate at Dark Horse as to which order they should present the stories of the Star Wars films. I’ve convinced myself that some people wanted to print the sagas in their original order of release, starting with the original trilogy and ending with the prequels. Maybe there was even someone who was of the opinion that the adaptation of Episode I not be included at all. Obviously the final verdict was to release them in chronological order but I won’t the Man tell me in which order to read my comics. Fuck that! No sir. I’m reading them in the order in which the movies were originally released but even more importantly, I’m reading them in the order in which the comics where originally released. You see, the comic book adaptations of A New Hope, The Empire Strikes Back, and Return of the Jedi were all release before the adaptations of The Phantom Menace, Attack of the Clones, and Revenge of the Sith (way back during Marvel first tenure as official publisher of Star Wars comics). In all begins in the skies above Tatooine . . .
Episode IV: A New Hope
Script: Bruce Jones
Pencils: Eduardo Barreto
Inks: Al Williamson, Eduardo Barreto, Carlos Garzón
Colours: James Sinclair, Cary Porter
Lettering: Steve Dutro
The comic book adaptation of A New Hope is the most cinematic adaptation of the original
trilogy. I say this because it’s the one with the least narration. There are
very few caption boxes and those that are present are mostly used to set a
scene and place a reader in the location such as “The Death Star conference room…”
or “The fourth moon of Yavin…”. That isn’t to say there aren’t other types of
caption boxes. Some of them give us insight into the characters’ feelings and
others, particularly during the Battle of Yavin, give the reader additional
details on the action present on the page. The comic feels more cinematic that
the adaptations for Episode V and VI because the story is mostly told with
the use of dialogue and art. You might be thinking “Aren’t all comics
storytelling through the use of dialogue and art?” Well, yes (and no) but
reading these three adaptations back to back it really struck me just how
different A New Hope is from the
others, both in how it tells it’s story and how it more closely resembles the
film. I think that the storytelling is closely linked to how the comic
accurately portrays the movie.
Despite these cinematic similarities, A New Hope doesn’t work nearly as well
in comic form as it does on the screen. There are too many important components
of what defines great Star Wars for
me that are missing from the comic. The first is the absence of John William’s
music. It’s such an important part of what maintains the tone of the movie that
without out, the comic struggles to establish and maintain the tone. Fans of Star Wars have likely seen the movie a
dozen times and when you’re reading a particular scene, say the Millennium
Falcon defending itself from TIE fighters after escaping the Death Star I can’t
help but hear the music in my head and knowing that it’s missing is a shame. It’s
a pretty poor criticism, I know, comics aren’t auditory but it’s hard to accept
that in this case. The other important element that is missing is the sense of
movement. In my review of X-wing: Rogue Squadron I mentioned that the novel did
a poor job of giving me that same sense of movement and energy given to me by
the movie’s battle scenes. The same problem happens here but it’s somehow
worse. In my mind’s eye I could take Michael A. Stackpole’s descriptions and make
a mini movie in my head but with the comic, everything is incredibly static.
That’s not to say you can’t draw something that gives the illusion of movement.
Many artists have done so before but sadly you won’t find it in this comic.
I do not know if it was the intent of the creative team
to give this comic adaptation a cinematic feel. It seems likely considering
they’re adapting a movie but what seems like a good idea at first might
actually be the comic’s biggest flaw. By resembling the movie more than the
comics for The Empire Strikes Back and
Return of the Jedi, the comic
adaptation of A New Hope attracts
more comparison with its movie counterpart than the other two adaptations. The
comparison favours the original because there are too many elements that are
characteristic of the Star Wars films
that are difficult to do the medium of comics. It was an uphill battle from the
start but I don’t think anybody was expecting the adaptation to be equal to or
better than the movie. They rarely are.
Episode V: The Empire Strikes Back
Script: Archie Goodwin
Pencils and inks: Al Williamson, Carlos Garzón
Colours: James Sinclair, Frank Lopez
Lettering: Rich Veitch
Part of the problem with the comic adaptation for A New Hope was that it accentuated how plain
the plot is. The Empire Strikes Back
has a much more complex and engaging plot than A New Hope but Archie Goodwin’s excessive use of narration gets in
the way of it and the whole things feels bogged down. The pacing is slower
because of it and it affects the quality of the story. One of the greatest strengths
of the movie is just how organically the story moves from Hoth to Dagobah to
the asteroid field to Cloud City. The movie explores multiples characters in
multiple different settings and it maintains a high level of action and
adventure. What’s interesting about the adaptation is that there are several
scenes that are added to the story. One example is the attack on the Rebel’s
based on Hoth by the same yeti-like creatures that attacked Luke in the movie.
Oddly enough we never actually get to see a full figure drawing of the monster.
Instead, all we see are hairy arms and legs. Another example is additional
training scenes Yoda has with Luke on Dagobah.
Episode VI: Return of the Jedi
Script: Archie Goodwin
Art: Al Williamson, Carlos Garzón
Colours: Cary Porter, Perry McNamee
Lettering: Ed King
Return of the Jedi
was adapted by the same writer and artists as the comic of The Empire Strikes Back but there are some significant differences
between the two comics. For starters, Return
of the Jedi is the shortest of all the adaptations in this omnibus
collection. It’s just a tad under 70 pages long and that’s pretty surprising
for an adaptation of a full length movie. It contrasts the length of the
previous comic which was one of the longer stories in the collection. The
reason being is that Goodwin reduced the frequency of his caption boxes. The
narration is much more limited and evenly spread out as it was in The Empire Strikes Back. He changed his
storytelling approach and used far more dialogue per panel and per page than he
did in his previous adaptation. The reader actually experiences characters
talking without being intercut by needless narration. Dialogue heavy scenes
take less space than before and the same can be said for action heavy scenes.
The fight against the Empire on Endor is one of the moments where caption boxes
are most heavily uses but Goodwin does it in a different way. Instead of using narration
as a device to provide additional details, he uses it as a way to reduce the
number of panels necessary to tell the story. It could also be that Goodwin
doesn’t feel like spending time in the head of Ewoks. I can't say I blame him.
The art also contributes to shortening the length of the comic.
There are more panels made up of just faces or upper torsos as opposed to full
body or three-quarter body images. A lot of room is given to speech bubbles and
the art suffers for it. While reading The
Empire Strikes Back I couldn’t help but wonder what the art would look like
at a larger page size. The page size of the omnibus collections is smaller than
your standard comic book and the result is that art is smaller than its
intended size. I certainly felt the same way about the art of Return of the Jedi but there is a
considerable amount of pages where I honestly don’t think the page size matters
because it would just look like a bunch of speech bubbles with faces next to
them. It’s also interesting to point out that while the same artists worked on
both stories, the art is Return of the Jedi
is cleaner and less heavily inked. I think it might have to do with just how
much is done by Wiliamson and how much is done by Garzón but either way, they’re
a decent team. It is a bit of a shame that the technology looks better drawn
than the characters but it helps that everything remains consistent throughout
each story.
I will conclude my review of Star Wars Omnibus: The Complete Saga
next week with Episodes I, II and III.
A New Hope is not original Marvel adaptation. It was done by Dark Horse much later then The Empire Strikes Back and Return of the Jedi.
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