When I read the first volume of Fantastic Four Visionaries: Walter Simonson I went in with some
pretty high expectations. I wasn’t quite expecting something as good as his
legendary run on Thor but I was still
hoping to find a comic that was really worthy of the Visionaries title it was
given. I’ve read of few collections in Marvel’s Visionaries line and they’ve
all fluctuated quite a bit in quality. For the curious at home I’ve read Frank
Miller’s run on Daredevil (excellent
stuff), Alan Davis’ more or less solo run on Excalibur (quite good but degrades in quality with each volume),
and Peter David’s first run on X-Factor
during the 90s (plays around with some neat ideas and is mostly memorable for
one amazing issue, the rest is basically exactly what you would expect for 90s
era X-men). In terms of quality I would place the first volume of Fantastic Four Visionaries: Walter Simonson
between Alan Davis on Excalibur and
Peter David on X-Factor. It was good
but nothing exceptionally noteworthy in terms of superhero comics. The second
volume, much to my delight, is an improvement on the first.
It might help that I went into the second volume with
lower expectations but the fact is Walter Simonson impressed me a little. He
continues the story form the first volume not by giving you more, but by giving
you less. The excess and decompression of the time bubble story was the cause
of my disappointment with the first volume. With the second volume, Simonson
tells two stories related to the Fantastic Four’s adventure in the time bubble
but they’re shorter, more tightly focused stories that somehow also managed to
be very fun and enjoyable without ever being juvenile. I would also argue that
Simonson’s art is more interesting here than in the previous volume. All in
all, volume 2 which collects Fantastic
Four issues #342 to 346 suggests that Simonson’s run on Fantastic Four might just be worthy of
the Visionaries title it received. I’ll have to read the third volume to in
order to be certain.
The first story is titled “Burnout!” and it is written by
Danny Fingaroth, pencilled by Rex Valve with Chris Ivy on inks. It’s a pretty bad
story even though it’s an earnest attempt at telling an emotional story centred
on Johnny Storm. In this standalone issue Johnny finds out not once but twice
(once is in a flashback) that children who idolized him too their lives by
lighting themselves on fire. For a while he wanders around a little aimlessly
and decides to never use the powers of the Human Torch again. Naturally a few
pages later the father of one of the kids attacks Johnny and a former member of
the mutant team X-Factor. The father is a member of the Seekers, high tech
bounty hunters from the Iron Man comic.
The issue ends with the realization that the good that Johnny does as the Human
Torch far outweighs the bad that occurs due to his celebrity. The whole thing
is very after school special and it’s quickly forgotten once we move on to the
second story in the collection.
“Nukebusters!!!” is written and drawn by Walter Simonson
with help on inks by Art Thibert in the second issue of the story. The story
takes place just after the Fantastic Four’s return from the time bubble as seen
in the last volume. Every member of the team slowly comes to the realization
that something isn’t right with the world. As it happens, their return trip was
a failure. The Fantastic Four are stuck in an alternate timeline!
Before I get to that I want to talk about how the plot of
issue #343 immediately undermines the first story in issue #342. Did “Burnout!”
take place on the alternate Earth of “Nukebusters!!!”? If so, why bother
telling such a personal story about Johnny Storm? These questions, and a few
others, really don’t matter because the disconnect between “Burnout!” and the
two Simonson issues it was sandwiches between only goes to show that the Johnny
Storm issue was nothing but filler. If you consider the note at the end of
issue #342 that Fantastic Four would
be back in two months, rather than in
one month, the only sensible conclusion is that Simonson needed some extra time
to write and draw his next story. Issue 342 is classic filler and it also
happens to be very bad.
Back to “Nukebusters!!!”. The idea that the Fantastic
Four wouldn’t make it back to their timeline safely is a good idea. Better yet,
it allows for Simonson to have some fun without having to worry about
explaining things too much or worry about any collateral damage inside the
Marvel Universe proper. It lets him let loose as a storyteller and have some
fun and he succeeds admirably. The Fantastic Four are trapped on an Earth where
Stalin is still alive and his body is sustained due to his living inside a
large mechanical suit. It’s battle armour, essentially. After learning that Dan
Quayle is President, the Fantastic Four find themselves in the middle of the
Cold War which hasn’t ended yet on this alternate Earth. It’s up to the FF to
stop nuclear Armageddon and they have to find a way to return to their Earth.
It’s good comic book fun and it ends with a showdown against a robot armoured
Stalin.
The third and last story of this collection is called “The
Mesozoic Mambo!” and it’s is written and drawn by Simonson. Once again the
Fantastic Four find themselves trapped in time. It’s not another alternate
Earth. The superhero team finds themselves on an island in the middle of the
ocean populated with prehistoric creatures. Along for the ride is an airborne
infantry division of the United States Army who are mysterious lost with the
FF. Together both groups try and find a way to get off the island and,
specifically the Fantastic Four, a way back to their timesled in order to
continue their journey home. The trouble is that the island’s time and space is
unstable and parts of the island are disappearing, bit by bit. To make things
worse, the Fantastic Four have lost their powers and even Sharon Ventura, the
resident Thing during this storyline, is depowered. All of this is an excuse
for Simonson to draw regular guys and gals fighting off dinosaurs with handmade
spears and machine guns. It’s pretty awesome. He’s not satisfied simply doing a
story about a dinosaur island as he makes sure to take enough time in the story
to develop some characters a little bit. Sharon and Ben Grimm in particular get
some nice moments in these couple of issues.
It’s pretty clear that the second volume of Fantastic Four Visionaries: Walter Simonson
isn’t the best comic featuring the Fantastic Four. That said, aside from the
original stories by Stan Lee and Jack Kirby I’d be hard pressed to suggest
better stories since I haven’t read many issues of Fantastic Four. This volumes makes another thing pretty clear, it’s
an improvement on the first volume. Both stories by Simonson collected in this
volume show something that was lacking in the time bubble story in volume one:
a sense of fun and good ol’ superhero shenanigans. The kind of setup these
stories have is pure superheroics and the joy that Simonson is having writing
and drawing these issues is palpable. Another thing the stories have going for
them is that they’re short. Two issues a piece. Somehow the stories do not feel
rush nor do they drag on. Simonson has the time to setup some threatening and
thrilling scenarios for the heroes and they quickly respond by putting together
a plan of attack and executing it without too much trouble.
I was pleasantly surprised to see proto-features on dinosaurs in a comic published in 1990! |
Unlike Walter Simonson’s run on Thor, there is nothing ground-breaking about his run on Fantastic Four. The first volume showed
promise in the first few issues only to fall flat with the second story.
Thankfully he reaches a nice storytelling balance in the second volume and the
results are good adventure comics that would certainly appeal to fans of
superhero comics. If that’s not good enough for you, maybe the dinosaurs will
help. There are dinosaurs! Dinosaurs, spears, and machine guns! How can you say
no to that?
This art is beautifully vintage, and it sounds like the story line has that same Golden Age feel. And I agree—Dinosaurs make everything better.
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