The Harry Potter reread has been interesting for several
reasons so far. For starters, it’s always nice to revisit a series you’ve read
before and that you know you enjoy. It’s also nice to pick up on things you didn’t
really notice before. There are a lot of details in each and every book of the
series and you’re guaranteed to find new details in the larger books the
second, third and even fourth time you read them. It’s been particularly
interesting for me to reread these books because it’s the first time that I’m
reading them as an adult. Because of my great familiarity with the characters
and story, what’s been keeping me most interested this time around has been
paying attention to how J. K. Rowling has constructed this series. The world
building and the construction of the narrative are keeping me as engaged as the
characters and as entertained as someone enjoying these stories for the first
time.
Myriam mentioned it at the very beginning of her post,
and I’ll second it here, Harry Potter and
the Prisoner of Azkaban sends the entire series up several notches. Don’t
get me wrong, the first two books are modern classics of young adult literature
but Prisoners of Azkaban greatly
expands the size and scope of the story and I would argue that it’s because of
this book that Harry Potter has
become a worldwide phenomenon and endured since the publication of the first
novel. It sounds like high praise for a series that is still so young compared
to other classic novels but let’s face it, the Harry Potter series is here to stay. I know that I’ll be reading
these books with my kids someday, and maybe they’ll do the same with theirs,
because Rowling didn’t just write cool stories about a boy wizard. She’s
created an entire fictional universe for young and old readers to visit time
and again. Harry, Dumbledore and Hogwarts may have been introduced in the first
book but the Wizard World, as we know it today, was first introduced in Prisoners of Azkaban.
Rowling doesn’t waste a page in this book. We only get
two chapters of the Dursleys in this volume and it’s a nice change of pace for
two reasons. First, the Dursleys are the most boring part of Harry Potter, even if I understand their
importance to the story. Second, less Dursleys means more Wizard World. Harry’s
encounter with the Knight Bus is an indication that the Wizarding World is
everywhere. They live in the same cities as we do. Witches and wizards have
always been right around the corner but it’s only once you become part of their
world that you can truly see it for all it’s worth. When Harry asks Stanley
Shunpike how come the Muggles don’t see the Knight Bus, Stan replies matter-of-factly
“Muggles? They don’t see nothing, do they?” The Dursleys appear to be close
minded and unimaginative to us, the readers, but to witches and wizards, all
Muggles are like the Dursleys. Pretending that what’s in front of their very
eyes is nothing but a trick of the light, an illusion. They refuse to see the
world for what it truly is, shared amongst Muggles and Wizards.
It seems that one of Rowling’s goals with Prisoners of Azkaban was to show the
reader that there is more to the Wizarding world than Hogwarts. We already know
that of course, there is a Ministry of Magic and Diagon Alley but we don’t
really know much about those places, only that they exist. Harry’s stay at the
Leaky Cauldron serves to show the reader that Diagon Alley isn’t just a place
parents and their kids visit to buy school supplies. There are plenty of other
stores there and it’s essentially the largest pedestrian outdoor mall in the
Wizarding World. There’s a store that’s all about Quidditch stuff, there’s an
ice cream store and there’s also a joke shop and a pet store. Rowling also adds
other locations such as the Azkaban Prison (briefly mentioned in Chamber of Secrets) and Hogsmeade, the
only all-wizard village in Britain.
Cover of the Danish edition. |
Rowling doesn’t entirely follow the Harry Potter formula with the third book, but she does manage to
hit quite a few staple elements (when did Sirius Black first break into the
school? On Halloween night, of course). The biggest difference is that she
doesn’t provide one big mystery for the reader and the main trio to solve.
Instead, she offers several smaller mysteries. Who is Sirius Black and why is
he after Harry? What is Voldemort plotting (he must be plotting something if the first books were any indication).
What’s up with Professor Lupin? The previous two Defence Against the Dark Arts
professors were hiding secrets, why would this one be any different? Who are
Moony, Wormtail, Padfoot and Prongs? What’s up with Hermione? How is she taking
multiple classes at the same time? In the end, I think it makes up for a better
novel because the reader and characters aren’t consumed by one single story. By
slightly reducing the scope of the mysteries, Rowling provides a more accurate
description of what everyday Hogwarts life is really like. Narratively, it’s
nice to see all the smaller elements converge into a climactic ending. Things
that seem unconnected turn out to be different parts of a larger whole. Most of
the mysteries and sub-plots converge in the end and the final result is
surprisingly good. There’s much more going on in the third book than the first
but it all feels natural.
Rowling continues to add more elements to her fictional
universe, not content to sit on her laurels. She continues to explore things
introduced in the previous books but generally adding more depth to them. One
notable exception is in Harry’s faux-antagonist, Draco Malfoy. I find him to be
a very flat character in the first half of the series. His only contribution to
the story is to provide Harry with minor distractions and annoy him. Compared
to the rest of the stuff he has to deal with, Malfoy is as annoying as a fly
buzzing around your head. Besides that, and a few other minor quibbles, Rowling
demonstrates once again that she understands how to effectively do world building
in a multi-part series. She’s constantly progressing with the story and the
world building happening simultaneously without nullifying what came before.
It’s very impressive.
One of the big additions to the Potterverse is also part
of the formula, Professor Lupin. Consider for a moment all of the things
Rowling achieves with this one character. Gives the school a new Defence
Against the Darks Art teacher, check! Provides the reader with a mystery, check!
Creates interesting conflict between characters, particularly with Snape,
check! Contributes to the world building and development of the story of the
Wizarding World pre-Harry being born, check! She makes a great character out of
what had quickly become just another part of the formula. Unlike the first two
professors to teach the subject, Lupin doesn’t permanently disappear at the end
of the novel. He’ll remain a staple of the series until the very last book.
Cover of the French edition. |
Rowling also continues to build on what constitutes
magic. She introduces various new subjects that are taught at Hogwarts but,
because of Harry and Ron’s course schedule, she only really develops one of
them: Divination. It always seemed a bit strange to me that divination is
regularly regarded as being a load of crap. If you live in a world where magic
is real why is divination so difficult to accept? If you can believe in flying
broomsticks why do you find it difficult to believe in fortune telling? If
someone was trying to pass divination as something real in our world, I
wouldn't even engage them in conversation about it. But in the fictional
setting of Harry Potter, why not? It's nice that Rowling confirms Trelawney as
a fortune teller of some considerable skill. She doesn't deserve the hard rap
she always seems to get. Sure, she's weird but who in the Wizarding World isn't
at least a little weird? It's a credit to Dumbledore that despite her being so
odd, he recognizes her worth.
Rowling properly introduces us to Animagi, witches or
wizards who are able to take on the form of an animal whenever and however long
they want, while also keeping their wits about them. She’s shown us that
McGonagall can transform into a cat in the early pages of The Philosopher’s Stone but now we know it wasn’t just vague
magical stuff. Animagi and their powers fit within a specific context of this
world. The most interesting thing about Animagi is how rare they are and that they
are registered with the Ministry of Magic.
Even in a world where magic is common place, there are
spells and abilities that need to be monitored. Being an Animagus is one such
ability but Rowling will introduce different types of magic later on in the
series, specifically the Unforgivable Curses in the fourth novel. Rowling also
introduces incredibly powerful magic like the Fidelius charm. The charm is used
for hiding secrets of great importance. In short, the secret is hidden within a
person, a person you trust utterly and completely, and only they can reveal the
secret. I absolutely adore the idea that there are certain spells and charms
that cannot be beaten. Voldemort couldn’t simply magic away the Potter’s
Fidelius charm. You can’t even use the old fashion way of looking for someone
because for as long as the Fidelius charm is in effect, you could stare
directly at the person and still be unable to see them.
Such a terrible, terrible cover. Who did the digital manipulation on this? For shame! |
Rowling doesn’t stop there. For the second time in the
series, Dumbledore (and Rowling) hint at a stronger and mysterious type of
magic. The first time was in the first book when Dumbledore talks about the
protection Harry has due to his mother’s love. Much like scientists have yet to
fully understand the mysteries of our world, wizards are still trying to
understand all of the mysteries of their world. By choosing to spare
Pettigrew’s life in the third book, Harry has created a bond between himself
and Ron’s former pet. The exact nature of that bond is something we will
discover in greater detail later on in the series but for now, it remains a
loosely defined element of the Harry
Potter saga.
Rowling really shows how Hermione is a good person in
this book. She helps Hagrid write his defence case for Buckbeak even though
she's swamped with a ridiculous amount of school work. She also takes the time
to make sure Harry and Ron don't do anything stupid and Harry, who has a
murderer after him is acting particularly stupid and Ron is acting more self-centered
than usual. She forces discussions that upset her friends, but she does it for
their own good (things like getting the Firebolt checked out by the
professors). She’s constantly helping others and she infrequently gets any gratitude
for it and when she does, she gets it weeks or months after the fact. It's
really sad that her two best friends shun her for weeks at a time and all she
can go to is retreat to her school work and Hagrid. You get a sense Hermione's
not very popular with girls (or boys for that matter) and it's probably because
she tries a bit too hard. I don't blame her, one of her best friends is Harry
Potter and despite the fact that he’s got big issues to deal with, he also has
it real easy for a lot of things. "Look at me, I'm one of the best
Hogwarts seekers ever!" Ya dude, you've also got the best brooms ever. I'm
not saying that he does everything effortlessly, but he doesn't put much effort
in his day to day stuff. Harry kind of coasts through life. Like how he barely
studies for exams but does alright anyway. Hermione tries so hard but she’s
mostly ignored by everyone except by adults. That's why I love it when Hagrid
lectures the boys for being shitty friends. Yeah, Quidditch is cool and it
sucks your rat got eaten (he didn't) but your friend should be a priority,
here. Stop sucking at being a friend.
Once again, I’ll finish off the post with some random
thoughts. As the books increase in length and content, it’s becoming more
difficult to keep all of my thoughts organized. Besides, there are so many
little things I want to comment on that this seems the best way to go about it.
-Cornelius Fudge is not Prime Minister of the Wizarding
World, he's just Minister for Magic. He tells the British Prime Minister about
Sirius Black. Does he regularly report to the British Prime Minister? I recall
something like that.
-Man, racing brooms are the computers of the Wizarding
World. This is the third book in a row where a new broom model comes out which
is better than all the rest. Book one: Nimbus 2000, Book Two: Nimbus 2001, Book
Three: Firebolt.
-I like that even though he gets it from Fred and George,
friends, Harry is weary of the potential danger of the map. He's thinking of
Mr. Weasley's advice from the end of the second book: "Never trust
anything that can think for itself, if you can't see where it keeps its
brain." It’s also a way for Rowling to tell her readers to just relax.
She’s saying “Look, I’m making you think of it so you don’t think Harry is dumb
for doing something potentially dangerous. Just enjoy this cool new addition to
Harry’s arsenal of mischief.”
Cover of the Swedish edition. The Whomping Willow has a face! |
-I really like that Snape reveals to Harry hat his father
wasn't as perfect as Harry seems to think. His dad, while a student at
Hogwarts, was a teenager who did stupid things. He clearly had a head full of
hot air but that's something relatively common amongst teens. James and his
friends were rule breakers that also had good grades and you can easily imagine
teachers going easy on them when disciplining them for their pranks and rule
breaking because of their scholarly accomplishments. My point being, it's nice
that Harry's parents weren't perfect because Rowling is often writing about
Harry as if he were perfect and it’s a regular annoyance to me while reading
the series.
-Despite his heroic accomplishments, Harry Potter is
still very much a teenage boy. When learning how to defend himself from
Dementors he tells Lupin that he must learn the Patronus Charm otherwise how
will he be able to defend himself while playing the next Quidditch match
against Ravenclaw? Right, that's what's important, winning your school's
version of the next volley-ball match. His priorities are all out of order and
as annoying as he can be sometimes, Rowling does write him as a teenager and it
works well because the professors, other adults and Hermione continuously tell
him he's being reckless and stupid. Lupin even mentions it's disrespectful to
the memory of his parents that he's gambling with his life just to go visit
Hogsmeade when his parents died to save him.
-I get that Lupin haunts the Shrieking Shack during the
full moon but who haunts it normally? What exactly makes it the most haunted
dwelling in Britain? Was it Lupin as a child? I imagine nobody has haunted it
in quite some time. Maybe he apparates there every month?
-I think it's a little odd that the winner of the
Quidditch cup isn't the team that won the most matches. It's whoever scored the
most points. It's also interesting that there only seems to be three matches
per team per school year. What is that, a total of twelve matches during the
whole school year? Yeah, ok, that does seem like enough considering there would
be a new match every second weekend or so.
-Foolish things that people have done in their young age
can easily come and haunt them in adulthood. Lupin's great shame of lying by
omission to Dumbledore is a good example of that. He could have avoided quite a
bit of trouble for quite a bit of people had he simply told Dumbledore about
all the secrets passages he and his friends uncovered.
-I love the ending in the shack. All the talking about
misunderstood truths and lies. People walking in one at a time into the shack,
the whole room getting increasingly crowded with tensions running higher and
higher, it's great. It's also very refreshing that Voldemort isn't back for a
third time. We needed a break from him. Rowling needed to expand the world and
history of her fictional universe before she could continue on with the story.
She focuses the world building on character and Voldemort, its unfortunate,
wasn’t much of a character at this point in the series.
-Snape, Lupin and Sirius Black are great examples of how
high school never ends.
-It's Hermione that saves the day. Awesome. Sure, Harry
does an excellent Patronus but Hermione’s the one who enable him to travel in
time and be in two places at once.
-Speaking of time travel, Rowling does an excellent job
with it. She puts limitations on it which helps to keep it grounded. Time
travel is the kind of story telling trick that can very easily get out of hand
(and it often does). She also makes a big deal out of it for wizards. This is
one of many examples of dangerous and rarely used magic. Time travel, much like
Animagi, are very closely controlled and monitored because of the world shattering
consequences it can have. It just makes sense that one of the Wizarding World’s
more important laws is to not change history by means of time travel.
-I just realized I haven’t really said too much about
Dementors. They’re super creepy! ‘Nuff said, on to book four! This post has
overstayed its welcome, anyway.
No comments:
Post a Comment