This
tale begins in the middle of a battle, set during the time where Conan is king
of Aquilonia. He’s consolidated his military strength with the neighbouring
kingdom of Ophir to defend their lands from the conquering king of Koth,
Strabonus. Soon it’s revealed that the battle was a trap and that the kingdoms
of Ophir and Koth are conspiring together, with the hopes of destroying Conan. They’re
aided by the sorcery Tsotha-lanti and Conan ends up in chains. He’s tossed into
Tsotha’s citadel, inside a dungeon filled with ancient and evil horrors.
In the
dungeon, Conan manages to free himself from his chains. There, he encounters
strange evils. They range from giant snakes to demon toads. Surprisingly, the
giant snake is the least terrifying of all these creatures. After he frees
another prisoner, a sorcerer called Pelias. Together they manage to escape from
the dungeon. Now free, Conan moves his focus to recovering his kingdom from the
tyranny of Tsotha’s evil. Pelias aids him, and Conan finds himself thrown about
by the wills and desires of sorcerers and magics he doesn’t understand. He
survives the final confrontation on the battlefield, but not solely because of
his skill and might as a warrior.
After
reading my first original Howard Conan
story, I thought I knew what to expect with the rest of these story. I’m
actually pretty pleased to say that I didn’t expect the second Conan story to start in the middle of a
battle between three armies. It was a nice surprise. That the story takes a
detour mid-way to explore a style of writing more akin to H. P. Lovecraft was
also welcome, but to have the whole story circle back and end on the battlefield
was just the cherry atop the sundae of unexpected moments that this story
represented. I should stop trying to think of what future Conan stories will be and just enjoy them.
This
story’s structure, while exciting to read for the first time, doesn’t actually
work all that well once you start thinking about it. I found the story was too
compressed. There are a lot of things that happen and I would have liked for
Howard to let things breathe a little more. He does this during the middle section
of the book, the part that focuses on Conan’s exploration of the Scarlet
Citadel’s dungeons. Here, the pacing of the story works superbly. Howard’s
evocative language really gave me the creeps (in a good way). I’ve read that The Hour of the Dragon is very similar
in plot structure to this story. As the only Conan novel, that makes sense, because there is a lot of material
here than can be and, honestly, needs to be expanded. I’m looking forward to The Hour of the Dragon but that’s very
far away. I’ve got plenty more Conan
stories to read before I get to that one.
From the adaptation by Tim Truman (writer), Tomás Giorello (art), and José Villarrubia (colourist). |
To me, Conan’s time in the dungeon is the heart of this story. Here he explores interconnected rooms in search of a way out. While doing so, he discovers a series of monsters and weird, otherworldly creatures. It’s basically a dungeon full of supernatural monsters and I enjoyed the hell out of it. Howard does an excellent job descripting the mood and overwhelmingly evil atmosphere of the place. My favourite of these creatures is a demon flower. It sets its roots in foul soil and feeds on humans. It can keep a human alive for years, slowly feeding on the victim’s soul and growing in size and in appetite. It’s a creative monster and I’ve since a couple variants of deadly plants before, but Howard’s is the earliest I’ve ever encountered and might actually be the creepiest.
While I really
enjoyed reading this story, it’s not perfect. It’s not as carefully crafted as “The
Phoenix on the Sword”, which I think is a better story than this one. If
nothing else, this feels more like a Conan
story to me because of the dungeon scenes and the way the weird magic works. I’m
pretty disappointed that Conan only fights one monster in the dungeon. Surely
another monster fight would have improved this story, right?
Another
surprise I had while reading was realizing how reactionary Conan is during most
of this story. It’s not a good surprise like the previous ones. This is actually
a bit of a lame surprise. For the most part, he’s tricked into going to war
which actually happens to be a plot to destroy him. Then he’s imprisoned, but
not in a regular dungeon mind, in a real fucked up place full of supernatural
horrors just waiting to devour his life essence and damn his soul to an
eternity of suffering. Naturally, he works hard to get out of that situation but
he’s only there because others conspired to put him there. Even when he succeeds
in escaping it’s because he receives the help of Pelias. He continues to get
help of the magical sort when confronting Tsotha-lanti. Other than killing
other warriors in battle, the only thing Conan does in this story is try to
survive the evils of sorcerous men and conspiring rival kingdoms.
I don’t
know about you, but I like my sword & sorcery heroes to be a little more
proactive. It brings this story down a notch for me. It feels wrong that Conan
is so often at the mercy of powers he doesn’t understand.
Cover art by Darick Robertson. |
Rating:
3 Soul-Eating Monsters
The
beginning and end of “The Scarlet Citadel” are enjoyable, but they lack any
real storytelling punch to make them memorable. The middle section however, is
an excellent bit of writing. It’s a little disappointing that Howard didn’t
connect the different parts of this story together in a more effective way, but
that doesn’t change the fact that there are some really good bits here.
Next Sunday, I review one of my all-time
favourite Howard stories: “The Tower of the Elephant”! You don’t want to miss
it.
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