The lame cover of my edition of Dragonflight. |
Wheel and turn
Or bleed and burn.
Fly between,
Blue and green.
Soar, dive down,
Bronze and brown
Dragonmen must fly
When Threads are in the sky.
I read a half
dozen or so Pern novels when I was a young teenager. I remember Dragonsdawn and one about a Harper (but
I don't think it was the Harper Hall trilogy). One of them was The Dolphins of Pern. I can't say I
remember too much about them. I remember that the dolphins were very smart, I remember
that the beginning of man's colonization of Pern had a strong science fiction
edge to it but that most of the books taking place later in its history were essentially
fantasy novels. There was one story that featured spaceships and smuggling but
I can't seem to remember the name. Anyway, I've always wanted to start reading
Anne McCaffrey famous Pern series from the start. Not the start
chronologically, I already undertook that when I was younger and I think that’s
one of the reasons I stopped. Approaching the series that way didn’t really
seem to work for more than two books. I’ve since learned that the best way to
read a multi-part series is to do so by order of publication which is what McCaffrey has often suggested readers do (though I completely disregarded
this self-imposed rule with The Wheel of
Time). Still, I’m adamant to stick to it with the Pern novels because I
always enjoyed them but I've always been confused about the internal history
and chronology of the series, mostly because I picked the books at random after
reading Dragonsdawn.
This time around
I decided to read the first book which is a collection of three novellas which
surprised me a bit because the book works pretty well as a whole. I really
liked Dragonflight but I can’t help
but feel disappointed because there are some serious things that simply do not
work. I’ve essentially rediscovered Pern with this book. I remember very little
from the books I’ve read before and that’s probably one of the contributing
factors to my disappointment. In short though, I can summarize things quite
simply by saying that Dragonflight
seriously lacks any emotion. Before I get into that, here’s a bit of plot.
Pern has fallen
on hard times. Every two hundred years, a Red Star passes in Pern’s orbit and
in doing so releases an interstellar pest that feeds on most things biological.
The Threads are silvery-grey worms that fall from the Red Star encased in eggs
which break away in Pern’s atmosphere. They fall from the sky in clusters and,
when they land, burrow deep into the Earth where they breed before setting out
to devour all plants and wildlife they can touch. In order to survive the
Pernese, earth men and women who colonized this distant planet, ride
fire-breathing dragons and burn the Thread right out of the sky! Man and dragon
working together to fight a common enemy, in truth, fighting for their very
survival. That’s what makes Pern an enduring series in the science fiction and
fantasy genres.
The Red Star’s
passing happens between such lengthy intervals that the very culture and
tradition of Pernese society has the chance of dissipating and leaving all of Pern
unprepared for the Thread’s next deadly arrival. It’s during the end of one
particularly lengthy absence of the Red Star (four hundred years) that the
story begins. There is but one Weyr (a dragon fortress) functional on Pern and its
men and women are left scrambling to equip themselves for survival amidst
popular belief that Thread and the Red Star are nothing but bedtime stories.
This particular
story sounds great when summarized like this but McCaffrey’s storytelling left
much to be desired. Her storytelling is mechanical and overtly practical. Her
characters face problem after problem and they meet them head on with solution
after solution. There is a lot of discussion and strategizing but it’s too
neatly organized and nearly no mistakes are made which leads to disbelief on
the readers part. Quite honestly, I will believe the fictional world you’ve
created, even if it includes telepathic and teleporting dragons but it’s
impossible for me to believe that in a time of such dire crisis, humanity will
make practically no serious mistakes. Despite that important flaw, McCaffrey
does succeed in creating a palpable sense of dread.
So far I can
live with these mistakes but it’s difficult to pardon the lack of any engaging characters.
McCaffrey doesn’t even provide a single main character the reader can relate to
or root for. I was far more interested in discovering the mysteries of Pern
(how did Pernese of the past fight the Threads?) than I was interested in
knowing what Lessa and F'lar were up to. Their relationship is frightening to
behold. I’m quite surprised that a woman could have written this book because of
the way the female characters are written. Lessa is continuously treated like a
child by F'lar who is like an angry father to her. More disturbing is their
sexual relationship which I'm sure is tinged with violence based on how F'lar
grabs her by the shoulders and shakes her whenever he gets angry with Lessa.
It's weird and it prevents me from getting emotionally invested in the
characters because I don't like them. As if that wasn’t enough, because of the emotional bond riders share
with their dragons, when Lessa and F’lar’s dragons mate the two humans are
taken over by a sense of dragonlust and also have sex. It’s written in a sense
that makes it seem like the magic of their connection to their dragons is what
makes them do it but I can’t help but interpret this as F’lar imposing himself sexually
on the younger Lessa. I’m not even reading between the lines, I got this
feeling from reading any of their scenes and interactions together. There is no
warmth in their relationship, neither is there any warmth in the relationship of
any of the other characters.
Dragonflight has very little emotion in it and scenes between
Lessa and F'lar are not only an example of this lack of emotion but they make
me feel queasy in their portrayal of a couples. As Weyrleaders of Benden Weyr, these two are Pern's best chance at
survival? It’s not just Lessa and F’lar though, none of the characters really
show emotion. Many of them have drive and ambition and a will to succeed, to survive
but they all do so in a cold and emotionless way.
Gender roles are
also messed up and very uneven. Again, this is surprising because McCaffrey is
a woman, I wouldn’t have expected this of her and my young teenage self either
didn’t pick up on it or I simply don’t remember these elements. In the last fifteen pages, we discover
that what we thought were the old ways, the ways long forgotten, aren’t quite
the ways that F’lar and Lessa have interpreted from their limited sources.
Gender roles aren’t as uneven as they’ve been portrayed thus far in the story
and it give me a bit of hope for the other books in the series. Still, Lessa still
acts like a child in F’lar’s presence, she’s nearly completely dominated. Near
the end of the book she even mentions to other characters that she’s frightened
of F’lar and McCaffrey has F’lar describe Lessa as docile while he’s thinking
about her on many occasions.
The world of Pern:
Where McCaffrey
failed with character and emotionally charged storytelling, she makes up for it
in world building. I’m convinced that it’s because of the fully realized world
of Pern that the Dragonriders of Pern
series has endured.
There are many
things I like about the world of Pern. One of them is that riders have to take
care of their dragons. They have to bathe them, oil their skin, be concerned
about how, what and when they eat. They’re not just awesome fire breathing
lizards with wings; they’re animals that require care and nurturing. Despite
being mostly a fantasy story, McCaffrey approaches many elements that make Pern
in a scientific way. I’ve already mentioned one example in the care of dragons
but she explains other things like how they breathe flame. In a true fantasy
book you do not need to explain or even question this. It’s a basic
characteristic of a dragon. But on the dragons of Pern can only breath fire
when they chew and eat firestones that, combined with the acid in their
stomachs, produces a phosphine gas that ignites when combined with the oxygen
in the air.
While things are
explained in scientific terms, there isn’t a whole lot of technology on Pern.
For all intents and purposes, Pernese live in a world were technology is at the
same level of progression as it was during Europe’s medieval times. This is
particularly interesting (and important to Pern as a series) when considering
how the Holds and Weyrs keep track of their history and traditions. Paper isn’t
a commodity on Pern. Written words are poorly preserved on animal hide and
their history and traditions are mostly kept alive through songs and ballads by Harpers. Similarly to Harpers, weavers are also instructed to make tapestries
for posterity which also serve a dual purpose by covering the stone walls
during the winter months in order to keep out the cold.
I find this
fascinating because the existence of an oral history on Pern makes the battle
for survival something continuous, even when the planet and its inhabitants
aren’t immediately threatened by Threads. Their history is kept alive by Harpers who write songs to educate and entertain all of Pern. Their jobs
is crucial to everyone’s survival, particularly during the two hundred years
where no Threads are seen. They have to make sure tradition and routine
proceedings are maintained to ensure that they will be ready by the next time
the Red Star passes.
For many, many years now McCaffrey has been called the “Queen of Dragons” and you don’t need to wonder why. With her Dragonriders of Pern series (which, oddly enough, used to simply be call the Dragon series) McCaffrey has created an entire world with a culture that revolves around dragons and their abilities that help them protect their planet from Threads. Everything is structured based on dragons and their importance to the survival of Pern. What's interesting is that the threat of Thread occurs regularly but with a significant amount of time between each occurrence that Pernese tradition and culture relaxes and changes. Cultural changes aren’t necessarily a bad thing in our world. Modern life becomes increasingly complex as time passes and change is inevitable. In the world of Pern however, too much change to tradition can lead to the destruction of the human colony. The organization of the Weyrs and Holds was such as to protect mankind.
For many, many years now McCaffrey has been called the “Queen of Dragons” and you don’t need to wonder why. With her Dragonriders of Pern series (which, oddly enough, used to simply be call the Dragon series) McCaffrey has created an entire world with a culture that revolves around dragons and their abilities that help them protect their planet from Threads. Everything is structured based on dragons and their importance to the survival of Pern. What's interesting is that the threat of Thread occurs regularly but with a significant amount of time between each occurrence that Pernese tradition and culture relaxes and changes. Cultural changes aren’t necessarily a bad thing in our world. Modern life becomes increasingly complex as time passes and change is inevitable. In the world of Pern however, too much change to tradition can lead to the destruction of the human colony. The organization of the Weyrs and Holds was such as to protect mankind.
Harpers are
supposed to be the teachers of tradition by the singing ballads that tell
stories of the past. The problem with this oral tradition is that when three,
four, five or more generations have never lived through one of the Red Star's passes,
these stories and ballads appear to be much more fictitious than they really
are. Tradition must remain rigid and unchanging in order for Pernese to survive
and thrive but the world's technological limitations at recording and teaching
these traditions is so limited that it’s incredibly difficult to maintain a
single way of life. Despite the willingness to maintain tradition that witnessing
the fall of Thread may have on a person, it quickly goes away when the threat
is absent for generations at a time. What I don't understand is how people
refuse to believe the songs and stories about Threads when their main defence
against it, dragons, remains a staple of Pernese wildlife.
Rediscovering
the world of Pern wasn’t what I was expecting. I thought for sure that I would
love Dragonflight from start to
finish. That wasn’t entirely the case since I discovered quite a bit that
disappointed me or simply disturbed me a little. But there was a lot that I
enjoyed that making a return trip to Pern with Dragonquest is a sure thing at this point. I’m optimistic for the second book in the series.
The world has been more or less established and the book is revitalized by the
arrival of several new characters by the book’s end. Along with these new
characters is the promise of more gender balance in the book’s characters as
well as in Pernese society. Although Pern seems to be an exciting fantasy world
in this introductory book to the Dragonriders
of Pern series, it’s a cold, emotionless place. Now that Lessa, F’lar and
all of Pern’s survival is guaranteed, I’m hoping McCaffrey provides a story
that goes beyond that and explores some characters and stories that are less
practical and machine-like in their execution. I need some emotional investment
to go along with the awesome world building.
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