I appreciated Less
Than Heroes more than I liked it. It is very good though. It’s unfortunate
but my lack of enjoyment can be largely attributed to my distaste for the art. I’ll
get to that later though. Yurkovich mentions in an essay collected in the back
of the trade paperback that he’s a fan of superhero comics of the Silver and
Bronze age. That’s were a lot of the inspiration came from. When reading the
comic I also got the sense that Watchmen
was also an inspiration and that was partially confirmed in the essay. I think
there is also a hint of Grant Morrison’s Doom Patrol (I later discovered that
this was indeed and inspiration by reading an interesting article on CBR). Not
necessarily that things are overtly weird, but there is a sense of quirky
oddball superheroics present throughout the story. That could also be the
Silver age influence on Yurkovich’s writing though.
Yurkovich’s Less Than Heroes is another comic in the
superheroes-done-realistically genre of comics. Unlike other comics that have
tried this approach, Yurkovich heroes are not government registered vigilantes.
Instead, they’re (often) unionized work for hire vigilante working in syndicates
that offer their services to large cities that have problems with
supervillainy. The biggest and most well-known group is the New York Superhero Syndicate
(NYSS). They’re the biggest because New York also happens to have the highest
concentration of supervillains. Hiring a group of heroes can be very
complicated and extremely expensive. In a scene during the last chapter, we see
the mayor of Philadelphia trying to hire the NYSS’s Delta Squad to help save
his city. The leader of Delta Squad presents multiple contracts and other legal
documents to be signed before any of her team members go and do anything for
the city. I thought it was very interesting that the NYSS aren’t paid. Instead,
the city of New York has agreed to provide them with health care and life
benefits. It’s a great little scene and Yurkovich pulls it off rather well.
Unlike many of the larger cities, Philadelphia didn’t
want to pay the exorbitant price of hiring a superhero syndicate. Instead, they
choose to hire an independent non-unionized team called Threshold. For the team
it’s a great opportunity to work as a hired superhero without needing to be affiliated
with the larger teams. For Philadelphia, Threshold presents a team of heroes
that’s probably not worth the money the city is paying. They have a lot of
recreational time in no small part because the city is populated with freelance
superheroes and because there aren’t a whole lot of villains in Philadelphia. By
the end of the comic, Yurkovich will have forced Threshold to prove themselves
as a team after the arrival of the Stamp Collector and several other villains
from New York. Whether they succeed or not is partially up to the reader’s
interpretation. What’s clear though is that the NYSS’s price may have been far
too high for Philadelphia. Perhaps Threshold isn’t so bad after all. Either
that or they’re a useless bunch of posers.
As I mentioned earlier, the most disappointing thing for
me was the art. Yurkovich has a very blocky style. The characters look stalky
and stiff. Yurkovich also uses shadows and shading rather liberally and it
doesn’t really mesh well with his square lined figure work. I did, reluctantly,
get used to it. By the end of the comic I even began to accept the art’s
intentional irregularities in figure and form. Despite not liking the art, it
did fit well with the story’s tone. The story, much like the art, is quirky and
angular, this story is the result of careful thought and planning on Yurkovich’s
part as opposed to a story that flourished naturally on the page. From what I
could gather from Yurkovich’s essay, he’s been thinking about his own universe
of superheroes for quite some time. Despite all this, the unappealing art makes
it difficult for me to truly like Less
Than Heroes past my appreciation for this interesting take on the superhero
genre. There are even things about the art that I appreciate, the lack of
overly rendered musculature and artificial looking anatomy, but then other
things like the 3D art and computer graphics, take me right out of the story.
I have to conclude that Less Than Heroes isn’t for everybody. There is equal part worship and
disdain for superheroes and it takes a particular type of reader to be able to
appreciate that. Readers who are more open to varied styles might even enjoy Yurkovich’s
art much more than I did. I’d rather see Yurkovich develop his writing and work
in conjunction with another artist. That sounds mean but heck, I had a hard
time with it. I’ll end things by encouraging you to check out this interesting
article about the origin and production of Less
Than Heroes. You can find the article on CBR here.
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