This should have
been a good book and that is one of the main reasons it disappointed me. The
idea of writing a Star Wars novel
that takes pale immediately after the end of Return of the Jedi is a good idea. What happens when the Rebellion
destroys the leader of the Empire? Apparently, you fuck off to the outskirts of
the galaxy and fight with space raptors and bicker in a public political
setting. Granted, the ideas here were good. Leia continues to own her part as
ambassador and her identity as the politically savvy member of the group. She
even gets to struggle with the idea that Vader was her father. Space Raptors
aren’t necessarily terrible per se and neither is the idea that Luke would fall
in love and find a pupil just a few hours after the end of the Episode VI. The
problem is that the execution of all those ideas fell flat and that’s that what
made this a bad book.
Runner-up: Star Trek: That Which Divides and Star Trek: The Weight of Worlds:
Again, these are
examples of books that have good ideas but fail to impress due to the authors’
inability to integrate the ideas in the narrative in a successful way. The
biggest problem with these books though is that it treats the cast of TOS as something untouchable. It’s as if
the writers are walking on eggshells the entire time because they can only use
what’s been established in canonical Star
Trek stories (such as the TV series and movies). No more, no less. That’s
certainly one of the difficulties of writing tie-in novels so I do not hold a
grudge against Dayton Ward and Greg Cox. I’m unaware if Ward and Cox are super
Trekkies that do not want to tarnish the image of the Enterprise crew or if there was heavy editorial intervention or a
combination of both. I don’t think having that knowledge would let me like
these books anymore. I found then to be boring and lacking the energy or even
the interesting premise of a lot of Star
Trek episodes. Overall, it felt as though these stories were of little
consequence. When you read a book like that you can’t help but think to
yourself what the point of it all is.
Worst Fantasy Novels
It’s unfortunate
but I returned to Brian Jacques Redwall series
too late. There’s nothing specifically wrong or bad about Mossflower or the other Redwall
books I’ve read. I used to enjoy them a great deal but I never read too many
(maybe five or six, tops) and so I wanted to return to the series and give it
another try as part of The Blog Fantastic. I had fond memories of the
anthropomorphic animals and their medieval world but what I encountered was
paint-by-numbers fantasy. Good versus Evil, so plain and predictable that a
character’s specie will tell you if it’s a good or evil character. The good
always win and often without directly killing the bad characters. There is a
good amount of detail, particularly in the descriptions of food and the
different dialects of various animals. The moles are simply a delight. I like
the overall wholesome quality of the books. It’s often been remarked as being a
series of Christian fantasy though I think that’s just something Christian fans
like to say as there isn’t anything specifically religious in the books I’ve
read.
This year while
reading Mossflower I discovered it’s
a good book but I’ve completely outgrown it and all the other Redwall books. It’s too nice, too
inoffensive. I need more conflict in my books and I need challenging
storytelling and Mossflower didn’t
even begin to satisfy on that front. The next time I’ll be reading a Redwall book will be with my kids, no
doubt.
Runner-up: Swords Against Death:
Let’s be clear,
just like Mossflower, this book isn’t
bad. I’m listing it as the runner-up to the worst fantasy book I read in 2014
because it didn’t completely match up with my expectations. I think Fritz Leiber
is overhyped but not necessarily overrated. I’ve read a lot about Leiber and
the significant influence he had on several generations of fantasy, specifically
sword and sorcery, writers. It’s well deserved even if I didn’t particularly
warm up to his Fafhrd and the Grey Mouser
stories as collected in Swords Against
Death. My problem with this collection was almost entirely my expectations.
I was expecting to be completely blown away by this book but instead I was a
little confused as to Leiber’s writing style and I struggled to understand why
he remains popular to fantasy enthusiasts, even to this day. It was very clear
to me why he’s regarded as a giant of the field but I admit I didn’t entirely
enjoy his stories. There’s an upside to it though because I found Leiber’s book
to be fascinating. It’s one of those odd books that I can admire though not
really enjoy. There’s enough here to get me to give it another try. That’s
something I plan on doing next year and hopefully I enjoy it more.
Worst Comic Books
Last year’s list
split comics based on when the collected edition of title was originally
published. I’m giving up on that this year because I really don’t follow new
comics much and I also don’t care when specific things have been published. I
realize that by not keeping with up regular comics this end of the year list
loses some of its relevancy but I pulled away from buying monthly singles
issues because I was tired of keeping up. Reading comics was starting to feel
like a rat race and I was buying books I didn’t particularly enjoy simply
because it was becoming important for my pull list to stay relevant. When
something you like to do starts to feel like something you have to do it’s time
to pull back and that’s what I did.
Here then, is my
list of the worst comics I read in
2014, regardless of when they were originally published or collected.
While I was
reading a lot of Star Wars related
material back in May I stumbled on these two volumes. They’re mostly terrible.
I disliked them so much I couldn’t even bring myself to write a review. Jedi vs. Sith is the worst of the two.
It involved a bunch of kids on a hick planet who are discovered to be force
sensitive. They’re immediately taken to the frontlines of a war between the
Jedi and the Sith where they wage impossible battles with beings far more
skilled than they are in basically all facets of warfare. It’s notable for
being a comic that features Darth Bane who apparently has a novel trilogy
devoted to him. I guess for diehard fans of Bane this comic is a big deal but
for me it’s just a big turd. It has no redeeming qualities that I could see.
The second
disappointing Star Wars comics I
read, Outlander: The Exile of Sharad
Hett, is a little better though it also fails to entertain on many levels.
The entire story is founded on the idea of taking characters who have a small,
often non-speaking, part in one of the prequel movies and try to make a
canonically important story. It’s such a wrong-headed approach because you get
the sense that the creative team cares more about making sure their story
matters in the grand scheme of things instead of putting their efforts into
telling a story that’s worth being told. It makes the entire thing feel very
amateurish despite how professionally they might apply their skills in the
production of Outlander. There’s
nothing wrong taking minor characters and using them to tell big stories but
it’s difficult to do so in the Star Wars
expanded universe because in a galaxy with thousands of characters vying for
attention writers tend to focus more on the plot and action to the detriment of
good storytelling. It all feels flat and unimportant resulting in an easily
forgettable reading experience.
Runner-up: Teen Titans: Earth One vol. 1:
Poor Jeff Lemire
didn’t have a very good year. I was excited to read his science fiction comic Trillium but was ultimately disappointed
by the story while being impressed by his willingness to play with the format
in service of the story. It didn’t end up on this list because I appreciated
that he tried to tell a story outside of his comfort zone and at the very end
of the day it matters more to me as a reader to know that he’s willing to try
different kind of stories and techniques instead of trying to repeat his
successes. Teen Titans, on the other
hand, is an unnecessary retelling of the Teen Titans coming together for the
first time and forming a superhero team.
The entire Earth
One line of DC Comics is a marketing conundrum that seems destined to fail. The
whole idea is to publish hardcover graphic novels of about 140 pages in length
which deal with the origins of the Earth One versions of superheroes we know
and love. It’s similar to Marvel’s Ultimate line of comics but I think the
publishing format of graphic novels instead of a regular monthly title hinders
the efforts of the Earth One line. It kills the momentum these comics can build
because readers are waiting a year or more between volumes and the volumes that
they do get just don’t have enough substance to satisfy. So far the first
volumes of Earth One Stories (Batman,
Superman and Teen Titans) have been decompressed retelling of origins stories.
It’s a stupid idea destined to be executed in the more uninteresting ways.
I don’t know why
I bothered with the first two but I was hoping Lemire would be able to do
something interesting or different with Teen
Titans. What I got was a DC version of Marvel’s Runaways created by Brian K. Vaughan and Adrian Alphona except it
was shit. Runaways is one of my
gateway drugs. It’s the comic that introduced me for good to the crazy world of
American comics, specifically superhero comics. Similarly to what happens to
the main protagonists of Runaways,
the Earth One version of the Teen Titans are just regular kids until strange
things start to happen. The book’s twist is that all the teenagers’ parents
work for a secret government project that experimented on them and turn them
into superhuman beings. Their parents are evil! So the Titans decide to band
together and fulfill the wishes of the people who have ruined their lives and
conspired against them. To be continued . . . without me.
A Year in Review
is also to be continued. Come back in a few days for a list of the best comics
and novels I read in 2014.
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