Showing posts with label Dr. Slump. Show all posts
Showing posts with label Dr. Slump. Show all posts

Wednesday, 19 March 2014

Miscellaneous Reviews 05: Dr. Slump vol. 18 and Maria M. Book One

Dr. Slump volume 18:
This is the final volume of Dr. Slump. I have to say, it’s a bitter sweet moment. I’m glad that the series is ending because there is no way to make an open ended humour series work. It will eventually grow stale and if I’m being perfectly honest with myself and with Akira Toriyama, the creator of Dr. Slump and Dragon Ball, some of the stories in the later volumes demonstrated that things had indeed started to slow down. Part of this could be that while ending Dr. Slump, Toriyama was also working on the early chapters of Dragon Ball which as well all know became and international phenomenon. Maybe he was getting a bit distracted by his new series. It’s not surprising to thing that after four years of non-stop hilarity in Penguin Village, a new series with new characters and a different setting would have its appeal. Why wouldn’t Toriyama want to focus on a different project? I’m not saying this to complain or to rationalize a depressive decrease in quality in the 18th volume of Dr. Slump. The opposite is closer to the truth.

It’s impressive that Toriyama still manages to write funny stories about the townspeople who live in Penguin Village. If there’s one thing you need to understand about Dr. Slump is that there is a rotating cast of villagers that regularly pop up in stories. Some only appear one or just a handful of times but others appear at least once or twice a volume. Even after 18 volumes Toriyama is still creating new characters. The most notable in this volume is Biker Boy which should come at no real surprise considering the focus of this volume. Toriyama didn’t shy away from infusing Dr. Slump with his hobbies and all the other things he enjoys in life. Toriyama loves science fiction movies, building models, motorized vehicles and animals. He didn’t just incorporate this in the bonus feature pages in-between the chapters in the collections, he also incorporate these elements to the title pages and the stories themselves.

If there is one predominant theme to the final volume it’s advertising his new series, Dragon Ball. Seriously, if you haven’t read it, go out and buy a copy. It’s great stuff! I actually enjoy Dr. Slump far more than I ever liked Dragon Ball (and I really like it!). It’s one of the most overlooked manga series I know of. Sorry, I lost focus there. If there is one predominant theme to this volume its setting up stories in which Toriyama gets to draw vehicles of all sorts but specifically motorcycles. The standout new character of this volume is Biker Boy. A boy who has a rare and complicated (and entirely real) disease: he will die if he is not riding his motorcycle. He lives his life riding around the island never stopping for anything. A truck has to drive next to him so he can refill. He radios his favourite food truck to toss food at him while he drives by. Biker Boy’s condition is so serious he can’t even stop to use the bathroom. He wears a biking suit which is cut out at the back allowing him to poo in a special compartment of his bike which then flings it out onto the side of the road. This solves one of the great mysteries of Dr. Slump: just where do all the little piles of poo come from? Now we know where Arale finds it all. Thanks Toriyama, fans around the world also thank you for finally revealing the greatest secret in all of manga history.


Maria M. Book One review:
Gilbert Hernandez is a genius. He’s been hard at work on one of the best long form comic works of all time. Along with his brothers, Jaime and Mario, they’ve been regularly releasing Love and Rockets for over thirty years. Gilbert been pushing his work and bringing it to very interesting places since the Luba in America stories have been published. The most notable of these comics is the “Fritz B-movie” sub-series. Half-sister of Luba, Rosalba “Fritz” Martinez gave up her job as a psychotherapist to take up acting and Maria M. is her long lost masterpiece.

All of the Fritz B-movies are low-grade sexploitation films taking advantage of and displaying her unique physique. Maria M. is based on a true story and it has Fritz playing her own mother. The true story on which this “movie” is based is Gilbert’s incredibly dense Poison River, a huge and complex comic book opus. Already without looking at the story itself, Maria M. is a complex work simply based on its origins, both metatextual and real. The story though is pretty impressive for a 135 page comic that averages four panels per page. Maria Martinez has recently arrived in America (having run away from her home country in South America after an affair with her father’s gardener which resulted in the birth of her first daughter, Luba – that is if my memory serves me well, I haven’t read Poison River in quite some time). She finds a few “modelling” jobs and finally gets a few acting jobs as well. An influential gangster helps to produce one of those films, falls in love and marries Maria. The inconsistencies, or specifically, the artistic liberties being taken by Beto (a widely used nickname for Hernandez) with one of his previous stories is fascinating. In part because of how it contrasts with the earlier story and also on how it reflects more of Fritz’s character than it does on her mother. That makes sense of course since she’s had her story told in Poison River. But details such as Maria’s husband actually loving her or Gorgo having a brother and being Maria’s step-son bodyguard all feel kind of off but it makes for an engrossing read due to the depth of meaning these seemingly minor changes could have on the larger story of Fritz found in Beto’s work.

The Fritz B-movies has varied in complexity and quality but this latest one is pretty damn good. I feel like I’m missing some of the nuances the comic has to offer because it’s been such a long time since I’ve read the stories in my hardcover collection of Luba as well as Poison River that I’m certain I’m missing quite a bit. This comic, like most of the Fritz B-movies can only truly be appreciated by fans of Beto’s previous work. Still, I’m convinced Maria M. is a very good read because it’s a fast paced, haphardously paced crime comic. There is sex and violence to be found on nearly every page and the paranoia filled lives of Senor Cienfuegos (Maria’s husband), Gorgo and even Maria herself will delight even the most biased and critical fans of crime comics. I can’t believe Beto and Fantagraphics decided to split this story in two because the wait might just make me lose my mind but I shouldn’t complain too much since it gives me time to revisit earlier stories with Fritz and refresh my memory on just how big an impact making this movie had on her as well as her family. 

Wednesday, 20 November 2013

Miscellaneous reviews 03


Dr. Slump volume 9 by Akira Toriyama:
Akira Toriyama’s first weekly manga series, Dr. Slump, is an excellent read. It’s one of the funniest things I’ve ever read. Toriyama has a combination of intelligent, crass and simply stupid jokes. Each chapter is a barrage of various different types of jokes that incessantly pummel the reader. It all sound violent but trust me, it’s an excellent read. Arale is one of the cutest robots in the history of the medium.

I missed volume 9 when I was first buying the volume. I have most of the series and volume 9 was one of the two gaps I had in my collection. I was upset to have missed it because Dr. Senbei Norimaki and Ms. Midori Yamabuki get married. The weeding is followed by romping multi-part honeymoon. It was great to read about the wedding and honeymoon because I was wondering how the whole thing happened. Needless to say, Toriyama did not disappoint. I was a little weird to read one of the volumes at the half way mark because there was a surprising amount of differences from earlier stories. Someday I plan on writing a longer post about why this is one the most hilarious comics ever published. Each volume has special feature pages and this volume is no different. Half of the pages are slice of life type newspaper articles making fun of Toriyama. The rest are short, one page comics about the creation of some of the main characters. Dr. Slump is always an absolute joy to read I wouldn’t trust anybody who tells you they don’t enjoy it. They’re lying to you.


Babel-17 by Samuel R. Delany:
I really enjoyed Babel-17. It’s the first novel by Samuel R. Delany that I’ve ever read. I’ve been interested in reading some of his books as he sounds like a tremendous influence in the field of science fiction and fantasy. There were several of his novels at a used book store near home so I decided to pick up a few. I wasn’t sure where to start so I picked the book with the cover I enjoyed the most. It was a quick read but one that provided me with a few hours of enjoyment while reading and several more afterword. There is a lot to think about long after you put down the book.

The book deals with linguistic relativity (also known as the Sapir-Whorf hypothesis) or how language affects your understanding of the world. Some people believe that your ability to communicate something in directly linked to your understanding of it. Rydra Wong, a renowned poet, is asked to decode Babel-17, a code which is being used to orchestrate strategic military attacks. It turns out that Babel-17 is not a code but a highly advances language from the depth a space. As Rydra learns the language her perception and understanding of the world around her radically changes.

I read an interview in which Delany mentions how he discovered the Sapir-Whorf hypothesis a few years after writing Babel-17 which completely disproved the theory in his opinion. Delany thought of about linguistic relativity without being able to label it with specific words. I enjoyed Delany’s style. It was poetic and managed to starkly describe the world in which the characters exist while also portraying the beauty of things. There are also neat ideas about the future like the extensive use of “cosmetisurgery” that not only modify the appearance of individuals but can also give enhanced abilities. It’s also rather funny at times. I particularly enjoyed how one of the characters references James Bond as being a real person. I enjoyed Babel-17 and I understand why it’s regularly considered a classic science-fiction novel. I’ve not entirely made up my mind on Delany but I know for certain that I’ll be reading more of his books because I’ve rather enjoyed this one.


Jack Kirby’s Fourth World Omnibus volume 2:
Jack Kirby continues his opus in the second collection of all the Fourth World stories, Superman’s Pal: Jimmy Olsen, Forever People, New Gods and Mister Miracle. I think it’s great that the titles are organized chronologically in theses collections. It’s not all great though because there is a downside. Walter Simonson mentions the incredible momentum that Kirby was building with four titles coming out on bi-monthly schedules. I don’t see it. I don’t feel it, either. Most of these title have a momentum building up within their own pages but skipping from one title to another nullifies that feeling of momentum and growth in the story. It’s as if the story is too big and it’s taking an unnecessarily long time to really get going. I guess what I’m trying to say is that the omnibus collection and therefore the entire Fourth World saga feels unfocussed and unnecessarily bloated.

Two volumes in and I find it very difficult to enjoy any of the Jimmy Olsen issues. Unless something happens in that title in later volumes, I think it could have been completely cut out from the Fourth World story. I wish I didn’t have to say that, but it’s true. But, for every issue of Jimmy Olsen I get one issue New Gods and another of Mister Miracle which are just superb. I absolutely adore both of those two titles. Kirby’s crazy ideas are at their finest in those two titles and his art is spectacular. Mister Miracle because much more interesting than it was in the first volume with the introduction of Big Barda, it’s hard to believe, I know, but she’s a great character. Forever People also continues to be good. It’s much better than Jimmy Olsen but there is something holding it back from being as good as New Gods or Mister Miracle. Either way, these are great comics from the 70s and I’ll definitively enjoy revisiting this once I’m done the series. I might end up skimming through the Jimmy Olsen issues though. Especially those Don Rickles co-star issues.