Written by Ursula K. Le Guin
I discovered Le Guin’s writing a few months ago. There is a shopping
centre near my apartment that has a bi-annual used book sale. I picked up the
first of a two volume collection of short stories by Le Guin as well as one of
her most celebrated science fiction novels, The Left Hand of Darkness.
This short story collection, The Wind’s
Twelve Quarters, volume one, had quite the variety of genres and styles. It’s
also quite interesting that some of the short stories here have serves as the
basis for some of Le Guin’s later novels and series, specifically The Earthsea Cycle, The Left Hand of Darkness, and Rocannon’s
World.
One of my favourites was The Rule
of Names which was the second story to be set in the world of Earthsea and
establishes one of the more important elements of the series: the importance of
true names in magic. The story takes place in a small coastal village where
there is a village wizard who also serves as a school teacher and a healer. The
little town is visited by a strange mage and with his arrival he unveils the
dark and hidden secrets that, unbeknownst from the villagers, plague their
quiet lives.
In this short story, Le Guin established the look and feel of Earthsea
and also clearly identified one of the most important elements to the magic
system of the series. It doesn’t hurt that she does all this in a humorous way
and, for good measure, she includes a wizard or two, a dragon, a lost and
stolen treasure, quite a bit of magic and a quaint, completely endearing,
village populated with charming characters. It’s a spectacular little story and
I can’t recommend it highly enough.
Needless to say, this story along with The Words of Unbinding has made me want to read Le Guin’s Earthsea Cycle. After several months I finally read the first
book and unsurprisingly I really, really enjoyed it.
In short, the book is the story of Sparrowhawk, the greatest wizard in
all of Earthsea. Well, in truth, it’s the story of how he became the greatest
wizard in all of Earthsea. Ged, Sparrowhawk’s true name, found out at a young
age that he possess great power and affinity for magic. Under the tutelage of
his aunt, the village witch, he took his first steps on the path to becoming a
magician. After finding a mentor, he eventually travels to a school for wizards
where he trained several years. After attaining his wizard staff, Ged travelled
the Archipelago and took on his first job as a trained wizard.
Said like that the story is quite simple, and it is. It’s in part
because of the simplicity of the narrative that A Wizard of Earthsea packs such a punch. It’s a powerful story
about growing up, power, pride, friendship and responsibility. As a young boy,
Ged is prideful and arrogant because of the knowledge of his great power. He’s
quick to learn magic but he does so without great effort. He’s quick to take
action but he plows ahead without thinking. On more than one occasion his
excessive confidence and desire to be recognized lead him to make brash decisions
that forever changed him. During a particularly destructive event, Ged
unleashed an Evil upon the world. Afterword, he is haunted and pursued by this
Shadow which feeds upon his strength. Every time they encounter one another,
Ged is left weakened and alone.
As a young boy he wanted his strength to be acknowledged and he wanted
to be respected. Following the events that took place during his stay at the
school for wizards, Ged wants nothing more than to be left alone for fear of
endangering those he cares for and to be given a chance to banish the evil he
let loose.
In the end, after much personal growth and hardship, Ged is able to
recognize and accept his fears and doubts and he becomes a stronger person, and
a stronger wizard, because of it.
Le Guin’s story is
incredibly focused. A Wizard of Earthsea is
about Ged. Unlike many books, the supportive characters are not given their own
side stories. From beginning to end, Le Guin forces us to follow Ged on his
difficult journey to wizardry and adulthood. I say forced because Young Ged is
a difficult character to deal with. He’s unlikeable and part of me was happy
when his actions forced him to look at himself in new ways. That may be harsh,
but it feels true and some of the lessons in lived are learned with much
hardship.
Le Guin also
manages to create a world that feels rich in detail and history in few worlds. A Wizard of Earthsea is less than 200
pages but they’re a dense 200 pages. This book doesn’t feel bloated or padded
because it isn’t. There is a trend in fantasy writing where longer is better
and it’s not always clear to the reader that this isn’t always a good thing. I
can understand that for writers, having invested so much time in creating and
building a world with a rich and diverse history and cities and lands that are
populated with different cultural and sometimes ethnical groups all of whom
have their own legends and customs that you would want to include all of it in
your stories. As for readers, I can also understand the desire to be so fully
immersed in a world so wonderfully detailed, inviting and rewarding but we must
careful not to overstay our welcome. The more time we spend in a fabricated
world the most adept we become at seeing the cracks in the wall and the glue
that holds it all together. Much like horror and violence in movies and
television can and often is more effective when portrayed off screen; fictional
realms in fantasy novels can feel more real and more substantial when it’s not
explained to the reader in all its detail. It’s far more interesting to read a
novel than it is to read a visual dictionary of a fabricated world.
With relatively few
pages, Le Guin makes the world of Earthsea
feel real. I can smell the salt in
the air. I can feel the oppressive dangers of sailing in a storm. Ged’s
Magic in Earthsea:
Magic in Earthsea is
about words. Magic isn’t set in specific, unbreakable ruless. It’s fluid, it
changes depending on the circumstances and the magic that is being cast.
Despite this seemingly undefined quality to magic in A Wizard of Earthsea, Le Guin manages to make it feel very
coherent.
Magic is also about
knowledge and understanding. Wizards, mages and archmages alike, all discuss
and debate on the mysteries of magic. There are some set rules but the extent
of those rules and the minutiae of the mystical arts are somewhat open to
discussion. The way Ged resolves conflicts with magic makes sense within the
boundaries set by Le Guin earlier in the book. I’m very impressed that she was
able to conjure such a believable and organized magic system without having to
pummel the reader with endless explanations. It’s structure yet it retains some
fluidity. I guess you could say she did it with magic, by using words to shape
the world of Earthsea before our very eyes.
The world of Earthsea:
Earthsea is a planeet
composed mostly of water. The story takes place in a large Archipelago where
hundreds, maybe thousands, of islands are in relatively close proximity to each
other. Despite this relative proximity, different languages and social norms
and yes, even different cultures, exist in different parts of the Archipelago.
On some islands slavery is perfectly acceptable. On most islands, wizards and
users of magic are considered to be very important people and often times a
city or village has a wizard to lives and serves the townspeople. He’s the wise
man and a healer and a school teacher all wrapped into one person. Their
currency is magic and it’s how they make a living.
The people of
Earthsea aren’t your average white guy. Ged’s skin, like that of most of the
characters, is a brown colour. These are people who live on islands and sail
the seas. Their skin colour reflects their living habits and their homes. The
people of the Archipelago are often outdoors and their isn’t the milky white of
maidens who live in castles or even the same as the pink colour of a knight
who’s always wearing leather and metal armor. The climate of Earthsea is
similar to that of the Mediterranean or even that of the Caribbean (well maybe
not everywhere, there was some snow and sleet in one of the chapters). Ged’s
mage friend, Vetch, and his family have much darker skin. Again, this is
presumably a result of his village being on one of the warmer and southerly
islands. My point simply being, that it’s refreshing that Le Guin’s characters
aren’t all young white males.
It seems odd to me
that women don’t play a larger role in Earthsea. There are female characters
that play a role in Ged’s life and his adventures once he leaves the wizard
school but they’re minor characters at best. As a woman, I was expecting a more
prominent female presence in the Earthsea novel. Le Guin’s portrayal of women
and their relationship to magic is also interesting. Women seem to be relegated
to the role of village witch, familiar in low level magic and spell that any
male child can master with relative ease. It’s possible I missed something, but
I did not see any sign of women having any sort of presence at the wizard
school. Le Guin never addresses why or if men are the only magic users in
Earthsea other than some limit magic that are used in some day to day life
situations.
As the first book
to be read in my Blog Fantastic series of post, A Wizard of Earthsea by Ursula K. Le Guin was an excellent read. It’s
very clear to me why Le Guin’s Earthsea
series is considered a classic fantasy series. With this first book Le Guin
demonstrates her subtle and important skill as a writer of serious fantasy. I’d
like to point out that my copy of this book was found in the Young Adult
section at a large chain bookstore. I remember reading somewhere that Le Guin
wanted to write this first novel specifically for the younger market. I think
she succeed but she also wrote one of those somewhat rare books that transcends
age and can easily be enjoyed but the very young, the very old, and anybody in
between. I look forward to revisiting the world of Earthsea with the second
novel in the series (whenever I get a hold of a copy) as well as rereading A Wizard of Earthsea.